{"id":10198,"date":"2026-03-12T10:35:21","date_gmt":"2026-03-12T09:35:21","guid":{"rendered":"https:\/\/bnuto.cultura.gov.it\/?page_id=10198"},"modified":"2026-03-12T10:36:21","modified_gmt":"2026-03-12T09:36:21","slug":"margherita-pop","status":"publish","type":"page","link":"https:\/\/bnuto.cultura.gov.it\/en\/margherita-pop\/","title":{"rendered":"Margherita POP\u00a0"},"content":{"rendered":"\n<p>\u201cThe queen&nbsp;was&nbsp;much&nbsp;admired&nbsp;as&nbsp;a woman;&nbsp;people&nbsp;liked&nbsp;her&nbsp;appearance&nbsp;and&nbsp;gestures,&nbsp;her&nbsp;words&nbsp;and&nbsp;attitudes.&nbsp;She&nbsp;enchanted&nbsp;as&nbsp;a&nbsp;young&nbsp;woman by&nbsp;her&nbsp;blond&nbsp;grace&nbsp;and&nbsp;as&nbsp;a mature woman by&nbsp;her&nbsp;exceptional&nbsp;talent in&nbsp;upholding&nbsp;the&nbsp;role&nbsp;of queen.&nbsp;She&nbsp;soon&nbsp;had&nbsp;a&nbsp;great&nbsp;reputation&nbsp;for culture and charity;&nbsp;everyone&nbsp;celebrated&nbsp;her&nbsp;love of&nbsp;poetry&nbsp;and&nbsp;religious&nbsp;faith,&nbsp;her&nbsp;encouragement&nbsp;for the&nbsp;arts&nbsp;and taste for&nbsp;study,&nbsp;her&nbsp;sumptuous&nbsp;elegance&nbsp;and&nbsp;her&nbsp;acts&nbsp;of&nbsp;beneficent&nbsp;providence&nbsp;for the humble&#8221;\u00b9.&nbsp;&nbsp;<\/p>\n\n\n\n<p>After&nbsp;the&nbsp;tragedy&nbsp;of Monza,&nbsp;her&nbsp;attitude&nbsp;as&nbsp;an&nbsp;inconsolable&nbsp;widow&nbsp;found&nbsp;echoes&nbsp;and wide&nbsp;exaltation&nbsp;among&nbsp;poets, public opinion and&nbsp;newspaper&nbsp;reports, up to the&nbsp;exaltation&nbsp;of&nbsp;her&nbsp;queen-mother&nbsp;figure&nbsp;beside&nbsp;the&nbsp;wounded&nbsp;of the Great War&nbsp;as&nbsp;a nurse in&nbsp;her&nbsp;palace-hospital&nbsp;at&nbsp;the Quirinale. The&nbsp;level&nbsp;of&nbsp;popularity&nbsp;reached&nbsp;almost&nbsp;fetishistic&nbsp;forms&nbsp;among&nbsp;the&nbsp;most&nbsp;humble&nbsp;classes&nbsp;of society:&nbsp;it&nbsp;was&nbsp;believed&nbsp;that&nbsp;keeping&nbsp;a&nbsp;dried&nbsp;daisy&nbsp;in the&nbsp;prayer&nbsp;book&nbsp;was&nbsp;an&nbsp;infallible&nbsp;good&nbsp;luck&nbsp;charm.&nbsp;Margaret&#8217;s&nbsp;prestige&nbsp;transcended&nbsp;the&nbsp;boundaries&nbsp;of the crown and&nbsp;remained&nbsp;intact&nbsp;even&nbsp;after&nbsp;her&nbsp;demise: \u201cdaisiness\u201d&nbsp;was&nbsp;not&nbsp;only&nbsp;literary,&nbsp;as&nbsp;evidenced&nbsp;by the&nbsp;countless&nbsp;tangible&nbsp;and&nbsp;intangible&nbsp;objects,&nbsp;streets,&nbsp;squares, hospitals,&nbsp;schools,&nbsp;sewing&nbsp;machines,&nbsp;plates&nbsp;and&nbsp;cups&nbsp;bearing&nbsp;her&nbsp;name&nbsp;and&nbsp;effigy.&nbsp;&nbsp;<\/p>\n\n\n\n<p>The&nbsp;economic&nbsp;aid&nbsp;devolved&nbsp;to the&nbsp;assistance&nbsp;of the&nbsp;weakest&nbsp;also&nbsp;contributed&nbsp;to the&nbsp;creation&nbsp;of&nbsp;this&nbsp;popular&nbsp;myth;&nbsp;attentive&nbsp;to social and&nbsp;topical&nbsp;issues&nbsp;such&nbsp;as&nbsp;schooling&nbsp;and&nbsp;education,&nbsp;she&nbsp;had&nbsp;relationships&nbsp;with the&nbsp;great&nbsp;theorists&nbsp;of&nbsp;her&nbsp;time, first and&nbsp;foremost&nbsp;Maria Montessori, to&nbsp;whom&nbsp;she&nbsp;was&nbsp;bound&nbsp;by a&nbsp;relationship&nbsp;of&nbsp;friendship.&nbsp;Her&nbsp;role&nbsp;as&nbsp;\u201cfirst queen of the&nbsp;Italians\u201d and&nbsp;as&nbsp;a&nbsp;representative&nbsp;of&nbsp;national&nbsp;femininity&nbsp;made Margherita the&nbsp;patroness&nbsp;of&nbsp;many&nbsp;women&#8217;s&nbsp;initiatives&nbsp;and&nbsp;works,&nbsp;often&nbsp;related&nbsp;to the&nbsp;recovery&nbsp;of&nbsp;traditional&nbsp;arts&nbsp;and&nbsp;crafts,&nbsp;such&nbsp;as&nbsp;Venetian&nbsp;embroidery, Abruzzese&nbsp;bobbin&nbsp;lace&nbsp;and&nbsp;Valsesian&nbsp;puncetto.&nbsp;Margherita&#8217;s&nbsp;efforts,&nbsp;along&nbsp;with&nbsp;those&nbsp;of so&nbsp;many&nbsp;other&nbsp;forerunners,&nbsp;sparked&nbsp;the&nbsp;birth&nbsp;of&nbsp;numerous&nbsp;quality&nbsp;craft&nbsp;manufactures&nbsp;in&nbsp;textiles&nbsp;and fashion,&nbsp;setting&nbsp;the&nbsp;fundamental&nbsp;precedent&nbsp;for the&nbsp;advent&nbsp;of future Made in&nbsp;Italy.&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u201cThe queen&nbsp;was&nbsp;much&nbsp;admired&nbsp;as&nbsp;a woman;&nbsp;people&nbsp;liked&nbsp;her&nbsp;appearance&nbsp;and&nbsp;gestures,&nbsp;her&nbsp;words&nbsp;and&nbsp;attitudes.&nbsp;She&nbsp;enchanted&nbsp;as&nbsp;a&nbsp;young&nbsp;woman by&nbsp;her&nbsp;blond&nbsp;grace&nbsp;and&nbsp;as&nbsp;a mature woman by&nbsp;her&nbsp;exceptional&nbsp;talent in&nbsp;upholding&nbsp;the&nbsp;role&nbsp;of queen.&nbsp;She&nbsp;soon&nbsp;had&nbsp;a&nbsp;great&nbsp;reputation&nbsp;for culture and charity;&nbsp;everyone&nbsp;celebrated&nbsp;her&nbsp;love of&nbsp;poetry&nbsp;and&nbsp;religious&nbsp;faith,&nbsp;her&nbsp;encouragement&nbsp;for the&nbsp;arts&nbsp;and taste for&nbsp;study,&nbsp;her&nbsp;sumptuous&nbsp;elegance&nbsp;and&nbsp;her&nbsp;acts&nbsp;of&nbsp;beneficent&nbsp;providence&nbsp;for the humble&#8221;\u00b9.&nbsp;&nbsp; After&nbsp;the&nbsp;tragedy&nbsp;of Monza,&nbsp;her&nbsp;attitude&nbsp;as&nbsp;an&nbsp;inconsolable&nbsp;widow&nbsp;found&nbsp;echoes&nbsp;and wide&nbsp;exaltation&nbsp;among&nbsp;poets, public opinion and&nbsp;newspaper&nbsp;reports, up to the&nbsp;exaltation&nbsp;of&nbsp;her&nbsp;queen-mother&nbsp;figure&nbsp;beside&nbsp;the&nbsp;wounded&nbsp;of the Great War&nbsp;as&nbsp;a nurse in&nbsp;her&nbsp;palace-hospital&nbsp;at&nbsp;the Quirinale. The&nbsp;level&nbsp;of&nbsp;popularity&nbsp;reached&nbsp;almost&nbsp;fetishistic&nbsp;forms&nbsp;among&nbsp;the&nbsp;most&nbsp;humble&nbsp;classes&nbsp;of society:&nbsp;it&nbsp;was&nbsp;believed&nbsp;that&nbsp;keeping&nbsp;a&nbsp;dried&nbsp;daisy&nbsp;in the&nbsp;prayer&nbsp;book&nbsp;was&nbsp;an&nbsp;infallible&nbsp;good&nbsp;luck&nbsp;charm.&nbsp;Margaret&#8217;s&nbsp;prestige&nbsp;transcended&nbsp;the&nbsp;boundaries&nbsp;of the crown and&nbsp;remained&nbsp;intact&nbsp;even&nbsp;after&nbsp;her&nbsp;demise: \u201cdaisiness\u201d&nbsp;was&nbsp;not&nbsp;only&nbsp;literary,&nbsp;as&nbsp;evidenced&nbsp;by the&nbsp;countless&nbsp;tangible&nbsp;and&nbsp;intangible&nbsp;objects,&nbsp;streets,&nbsp;squares, hospitals,&nbsp;schools,&nbsp;sewing&nbsp;machines,&nbsp;plates&nbsp;and&nbsp;cups&nbsp;bearing&nbsp;her&nbsp;name&nbsp;and&nbsp;effigy.&nbsp;&nbsp; The&nbsp;economic&nbsp;aid&nbsp;devolved&nbsp;to the&nbsp;assistance&nbsp;of the&nbsp;weakest&nbsp;also&nbsp;contributed&nbsp;to the&nbsp;creation&nbsp;of&nbsp;this&nbsp;popular&nbsp;myth;&nbsp;attentive&nbsp;to social and&nbsp;topical&nbsp;issues&nbsp;such&nbsp;as&nbsp;schooling&nbsp;and&nbsp;education,&nbsp;she&nbsp;had&nbsp;relationships&nbsp;with the&nbsp;great&nbsp;theorists&nbsp;of&nbsp;her&nbsp;time, first and&nbsp;foremost&nbsp;Maria Montessori, to&nbsp;whom&nbsp;she&nbsp;was&nbsp;bound&nbsp;by a&nbsp;relationship&nbsp;of&nbsp;friendship.&nbsp;Her&nbsp;role&nbsp;as&nbsp;\u201cfirst queen&#8230;<\/p>\n","protected":false},"author":23,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"category_page":[],"class_list":["post-10198","page","type-page","status-publish","hentry"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Margherita POP\u00a0 | Biblioteca Nazionale Universitaria di Torino<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/bnuto.cultura.gov.it\/en\/margherita-pop\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Margherita POP\u00a0 | Biblioteca Nazionale Universitaria di Torino\" \/>\n<meta property=\"og:description\" content=\"\u201cThe queen&nbsp;was&nbsp;much&nbsp;admired&nbsp;as&nbsp;a woman;&nbsp;people&nbsp;liked&nbsp;her&nbsp;appearance&nbsp;and&nbsp;gestures,&nbsp;her&nbsp;words&nbsp;and&nbsp;attitudes.&nbsp;She&nbsp;enchanted&nbsp;as&nbsp;a&nbsp;young&nbsp;woman by&nbsp;her&nbsp;blond&nbsp;grace&nbsp;and&nbsp;as&nbsp;a mature woman by&nbsp;her&nbsp;exceptional&nbsp;talent in&nbsp;upholding&nbsp;the&nbsp;role&nbsp;of queen.&nbsp;She&nbsp;soon&nbsp;had&nbsp;a&nbsp;great&nbsp;reputation&nbsp;for culture and charity;&nbsp;everyone&nbsp;celebrated&nbsp;her&nbsp;love of&nbsp;poetry&nbsp;and&nbsp;religious&nbsp;faith,&nbsp;her&nbsp;encouragement&nbsp;for the&nbsp;arts&nbsp;and taste for&nbsp;study,&nbsp;her&nbsp;sumptuous&nbsp;elegance&nbsp;and&nbsp;her&nbsp;acts&nbsp;of&nbsp;beneficent&nbsp;providence&nbsp;for the humble&#8221;\u00b9.&nbsp;&nbsp; After&nbsp;the&nbsp;tragedy&nbsp;of Monza,&nbsp;her&nbsp;attitude&nbsp;as&nbsp;an&nbsp;inconsolable&nbsp;widow&nbsp;found&nbsp;echoes&nbsp;and wide&nbsp;exaltation&nbsp;among&nbsp;poets, public opinion and&nbsp;newspaper&nbsp;reports, up to the&nbsp;exaltation&nbsp;of&nbsp;her&nbsp;queen-mother&nbsp;figure&nbsp;beside&nbsp;the&nbsp;wounded&nbsp;of the Great War&nbsp;as&nbsp;a nurse in&nbsp;her&nbsp;palace-hospital&nbsp;at&nbsp;the Quirinale. The&nbsp;level&nbsp;of&nbsp;popularity&nbsp;reached&nbsp;almost&nbsp;fetishistic&nbsp;forms&nbsp;among&nbsp;the&nbsp;most&nbsp;humble&nbsp;classes&nbsp;of society:&nbsp;it&nbsp;was&nbsp;believed&nbsp;that&nbsp;keeping&nbsp;a&nbsp;dried&nbsp;daisy&nbsp;in the&nbsp;prayer&nbsp;book&nbsp;was&nbsp;an&nbsp;infallible&nbsp;good&nbsp;luck&nbsp;charm.&nbsp;Margaret&#8217;s&nbsp;prestige&nbsp;transcended&nbsp;the&nbsp;boundaries&nbsp;of the crown and&nbsp;remained&nbsp;intact&nbsp;even&nbsp;after&nbsp;her&nbsp;demise: \u201cdaisiness\u201d&nbsp;was&nbsp;not&nbsp;only&nbsp;literary,&nbsp;as&nbsp;evidenced&nbsp;by the&nbsp;countless&nbsp;tangible&nbsp;and&nbsp;intangible&nbsp;objects,&nbsp;streets,&nbsp;squares, hospitals,&nbsp;schools,&nbsp;sewing&nbsp;machines,&nbsp;plates&nbsp;and&nbsp;cups&nbsp;bearing&nbsp;her&nbsp;name&nbsp;and&nbsp;effigy.&nbsp;&nbsp; The&nbsp;economic&nbsp;aid&nbsp;devolved&nbsp;to the&nbsp;assistance&nbsp;of the&nbsp;weakest&nbsp;also&nbsp;contributed&nbsp;to the&nbsp;creation&nbsp;of&nbsp;this&nbsp;popular&nbsp;myth;&nbsp;attentive&nbsp;to social and&nbsp;topical&nbsp;issues&nbsp;such&nbsp;as&nbsp;schooling&nbsp;and&nbsp;education,&nbsp;she&nbsp;had&nbsp;relationships&nbsp;with the&nbsp;great&nbsp;theorists&nbsp;of&nbsp;her&nbsp;time, first and&nbsp;foremost&nbsp;Maria Montessori, to&nbsp;whom&nbsp;she&nbsp;was&nbsp;bound&nbsp;by a&nbsp;relationship&nbsp;of&nbsp;friendship.&nbsp;Her&nbsp;role&nbsp;as&nbsp;\u201cfirst queen...\" \/>\n<meta property=\"og:url\" content=\"https:\/\/bnuto.cultura.gov.it\/en\/margherita-pop\/\" \/>\n<meta property=\"og:site_name\" content=\"Biblioteca Nazionale Universitaria di Torino\" \/>\n<meta property=\"article:modified_time\" content=\"2026-03-12T09:36:21+00:00\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data1\" content=\"2 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/bnuto.cultura.gov.it\\\/en\\\/margherita-pop\\\/\",\"url\":\"https:\\\/\\\/bnuto.cultura.gov.it\\\/en\\\/margherita-pop\\\/\",\"name\":\"Margherita POP\u00a0 | Biblioteca Nazionale Universitaria di Torino\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/bnuto.cultura.gov.it\\\/en\\\/#website\"},\"datePublished\":\"2026-03-12T09:35:21+00:00\",\"dateModified\":\"2026-03-12T09:36:21+00:00\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/bnuto.cultura.gov.it\\\/en\\\/margherita-pop\\\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/bnuto.cultura.gov.it\\\/en\\\/margherita-pop\\\/\"]}]},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/bnuto.cultura.gov.it\\\/en\\\/margherita-pop\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\\\/\\\/bnuto.cultura.gov.it\\\/en\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Margherita POP\u00a0\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/bnuto.cultura.gov.it\\\/en\\\/#website\",\"url\":\"https:\\\/\\\/bnuto.cultura.gov.it\\\/en\\\/\",\"name\":\"Biblioteca Nazionale Universitaria di Torino\",\"description\":\"Un nuovo sito targato WordPress\",\"publisher\":{\"@id\":\"https:\\\/\\\/bnuto.cultura.gov.it\\\/en\\\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/bnuto.cultura.gov.it\\\/en\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"},{\"@type\":\"Organization\",\"@id\":\"https:\\\/\\\/bnuto.cultura.gov.it\\\/en\\\/#organization\",\"name\":\"Biblioteca Nazionale Universitaria di Torino\",\"url\":\"https:\\\/\\\/bnuto.cultura.gov.it\\\/en\\\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/bnuto.cultura.gov.it\\\/en\\\/#\\\/schema\\\/logo\\\/image\\\/\",\"url\":\"https:\\\/\\\/bnuto.cultura.gov.it\\\/wp-content\\\/uploads\\\/2022\\\/10\\\/logo-biblioteca-nazionale-nero.png\",\"contentUrl\":\"https:\\\/\\\/bnuto.cultura.gov.it\\\/wp-content\\\/uploads\\\/2022\\\/10\\\/logo-biblioteca-nazionale-nero.png\",\"width\":70,\"height\":77,\"caption\":\"Biblioteca Nazionale Universitaria di Torino\"},\"image\":{\"@id\":\"https:\\\/\\\/bnuto.cultura.gov.it\\\/en\\\/#\\\/schema\\\/logo\\\/image\\\/\"}}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Margherita POP\u00a0 | Biblioteca Nazionale Universitaria di Torino","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/bnuto.cultura.gov.it\/en\/margherita-pop\/","og_locale":"en_US","og_type":"article","og_title":"Margherita POP\u00a0 | Biblioteca Nazionale Universitaria di Torino","og_description":"\u201cThe queen&nbsp;was&nbsp;much&nbsp;admired&nbsp;as&nbsp;a woman;&nbsp;people&nbsp;liked&nbsp;her&nbsp;appearance&nbsp;and&nbsp;gestures,&nbsp;her&nbsp;words&nbsp;and&nbsp;attitudes.&nbsp;She&nbsp;enchanted&nbsp;as&nbsp;a&nbsp;young&nbsp;woman by&nbsp;her&nbsp;blond&nbsp;grace&nbsp;and&nbsp;as&nbsp;a mature woman by&nbsp;her&nbsp;exceptional&nbsp;talent in&nbsp;upholding&nbsp;the&nbsp;role&nbsp;of queen.&nbsp;She&nbsp;soon&nbsp;had&nbsp;a&nbsp;great&nbsp;reputation&nbsp;for culture and charity;&nbsp;everyone&nbsp;celebrated&nbsp;her&nbsp;love of&nbsp;poetry&nbsp;and&nbsp;religious&nbsp;faith,&nbsp;her&nbsp;encouragement&nbsp;for the&nbsp;arts&nbsp;and taste for&nbsp;study,&nbsp;her&nbsp;sumptuous&nbsp;elegance&nbsp;and&nbsp;her&nbsp;acts&nbsp;of&nbsp;beneficent&nbsp;providence&nbsp;for the humble&#8221;\u00b9.&nbsp;&nbsp; After&nbsp;the&nbsp;tragedy&nbsp;of Monza,&nbsp;her&nbsp;attitude&nbsp;as&nbsp;an&nbsp;inconsolable&nbsp;widow&nbsp;found&nbsp;echoes&nbsp;and wide&nbsp;exaltation&nbsp;among&nbsp;poets, public opinion and&nbsp;newspaper&nbsp;reports, up to the&nbsp;exaltation&nbsp;of&nbsp;her&nbsp;queen-mother&nbsp;figure&nbsp;beside&nbsp;the&nbsp;wounded&nbsp;of the Great War&nbsp;as&nbsp;a nurse in&nbsp;her&nbsp;palace-hospital&nbsp;at&nbsp;the Quirinale. The&nbsp;level&nbsp;of&nbsp;popularity&nbsp;reached&nbsp;almost&nbsp;fetishistic&nbsp;forms&nbsp;among&nbsp;the&nbsp;most&nbsp;humble&nbsp;classes&nbsp;of society:&nbsp;it&nbsp;was&nbsp;believed&nbsp;that&nbsp;keeping&nbsp;a&nbsp;dried&nbsp;daisy&nbsp;in the&nbsp;prayer&nbsp;book&nbsp;was&nbsp;an&nbsp;infallible&nbsp;good&nbsp;luck&nbsp;charm.&nbsp;Margaret&#8217;s&nbsp;prestige&nbsp;transcended&nbsp;the&nbsp;boundaries&nbsp;of the crown and&nbsp;remained&nbsp;intact&nbsp;even&nbsp;after&nbsp;her&nbsp;demise: \u201cdaisiness\u201d&nbsp;was&nbsp;not&nbsp;only&nbsp;literary,&nbsp;as&nbsp;evidenced&nbsp;by the&nbsp;countless&nbsp;tangible&nbsp;and&nbsp;intangible&nbsp;objects,&nbsp;streets,&nbsp;squares, hospitals,&nbsp;schools,&nbsp;sewing&nbsp;machines,&nbsp;plates&nbsp;and&nbsp;cups&nbsp;bearing&nbsp;her&nbsp;name&nbsp;and&nbsp;effigy.&nbsp;&nbsp; The&nbsp;economic&nbsp;aid&nbsp;devolved&nbsp;to the&nbsp;assistance&nbsp;of the&nbsp;weakest&nbsp;also&nbsp;contributed&nbsp;to the&nbsp;creation&nbsp;of&nbsp;this&nbsp;popular&nbsp;myth;&nbsp;attentive&nbsp;to social and&nbsp;topical&nbsp;issues&nbsp;such&nbsp;as&nbsp;schooling&nbsp;and&nbsp;education,&nbsp;she&nbsp;had&nbsp;relationships&nbsp;with the&nbsp;great&nbsp;theorists&nbsp;of&nbsp;her&nbsp;time, first and&nbsp;foremost&nbsp;Maria Montessori, to&nbsp;whom&nbsp;she&nbsp;was&nbsp;bound&nbsp;by a&nbsp;relationship&nbsp;of&nbsp;friendship.&nbsp;Her&nbsp;role&nbsp;as&nbsp;\u201cfirst queen...","og_url":"https:\/\/bnuto.cultura.gov.it\/en\/margherita-pop\/","og_site_name":"Biblioteca Nazionale Universitaria di Torino","article_modified_time":"2026-03-12T09:36:21+00:00","twitter_card":"summary_large_image","twitter_misc":{"Est. reading time":"2 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"WebPage","@id":"https:\/\/bnuto.cultura.gov.it\/en\/margherita-pop\/","url":"https:\/\/bnuto.cultura.gov.it\/en\/margherita-pop\/","name":"Margherita POP\u00a0 | Biblioteca Nazionale Universitaria di Torino","isPartOf":{"@id":"https:\/\/bnuto.cultura.gov.it\/en\/#website"},"datePublished":"2026-03-12T09:35:21+00:00","dateModified":"2026-03-12T09:36:21+00:00","breadcrumb":{"@id":"https:\/\/bnuto.cultura.gov.it\/en\/margherita-pop\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/bnuto.cultura.gov.it\/en\/margherita-pop\/"]}]},{"@type":"BreadcrumbList","@id":"https:\/\/bnuto.cultura.gov.it\/en\/margherita-pop\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/bnuto.cultura.gov.it\/en\/"},{"@type":"ListItem","position":2,"name":"Margherita POP\u00a0"}]},{"@type":"WebSite","@id":"https:\/\/bnuto.cultura.gov.it\/en\/#website","url":"https:\/\/bnuto.cultura.gov.it\/en\/","name":"Biblioteca Nazionale Universitaria di Torino","description":"Un nuovo sito targato WordPress","publisher":{"@id":"https:\/\/bnuto.cultura.gov.it\/en\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/bnuto.cultura.gov.it\/en\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":"Organization","@id":"https:\/\/bnuto.cultura.gov.it\/en\/#organization","name":"Biblioteca Nazionale Universitaria di Torino","url":"https:\/\/bnuto.cultura.gov.it\/en\/","logo":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/bnuto.cultura.gov.it\/en\/#\/schema\/logo\/image\/","url":"https:\/\/bnuto.cultura.gov.it\/wp-content\/uploads\/2022\/10\/logo-biblioteca-nazionale-nero.png","contentUrl":"https:\/\/bnuto.cultura.gov.it\/wp-content\/uploads\/2022\/10\/logo-biblioteca-nazionale-nero.png","width":70,"height":77,"caption":"Biblioteca Nazionale Universitaria di Torino"},"image":{"@id":"https:\/\/bnuto.cultura.gov.it\/en\/#\/schema\/logo\/image\/"}}]}},"_links":{"self":[{"href":"https:\/\/bnuto.cultura.gov.it\/en\/wp-json\/wp\/v2\/pages\/10198","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/bnuto.cultura.gov.it\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/bnuto.cultura.gov.it\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/bnuto.cultura.gov.it\/en\/wp-json\/wp\/v2\/users\/23"}],"replies":[{"embeddable":true,"href":"https:\/\/bnuto.cultura.gov.it\/en\/wp-json\/wp\/v2\/comments?post=10198"}],"version-history":[{"count":2,"href":"https:\/\/bnuto.cultura.gov.it\/en\/wp-json\/wp\/v2\/pages\/10198\/revisions"}],"predecessor-version":[{"id":10210,"href":"https:\/\/bnuto.cultura.gov.it\/en\/wp-json\/wp\/v2\/pages\/10198\/revisions\/10210"}],"wp:attachment":[{"href":"https:\/\/bnuto.cultura.gov.it\/en\/wp-json\/wp\/v2\/media?parent=10198"}],"wp:term":[{"taxonomy":"category_page","embeddable":true,"href":"https:\/\/bnuto.cultura.gov.it\/en\/wp-json\/wp\/v2\/category_page?post=10198"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}